Which artists have come into their own this year, and who should you be watching in 2017? We select the ten most exciting international artists on our radar
1. Joey Holder
Born 1981, London
This year has seen the impressive development of London-based artist Joey Holder’s 2015 Wysing residency and her research into the future human, which culminated in her solo exhibition ‘Ophiux’ at the Cambridge-based arts centre this autumn. For the show, Holder worked closely with scientists to imagine a future where synthetic biology has been fully realised to advance human evolution and life expectancy. Holder also brought her distinctive take on biotechnology and alternative ecosystems to a number of group exhibitions and screenings throughout the year, including shows at such varied galleries as Podium in Oslo, Georg Kargl in Vienna, Lighthouse in Brighton and Annely Juda Fine Art in London.
2. Martine Syms
Born 1980, Los Angeles
Los Angeles artist Martine Syms’ work fluctuates between what is real and what is represented, particularly in terms of representations of female blackness in American pop culture. Syms’ artistic practice includes video, performance, and publishing, and draws from the history of early cinema through internet memes. Entering her solo show ‘Fact & Trouble’ at the ICA earlier this year felt like stepping into Sym’s own digitally saturated memory, filled with family photos, home videos, found images, television ads and Youtube videos. With recent shows at The Hammer, Karma International and Bridget Donahue Gallery, the last few years have seen Sym’s reputation grow. 2017 looks to be another important year for the artist, beginning in January when Syms returns to London with a solo show at Sadie Coles gallery as part of Condo.
3. Yuri Pattison
Born 1986, Dublin
This year saw the culmination of Pattison’s two-year Create Residency with a solo show at Chisenhale Gallery, selected as one of our Top 10 exhibitions of the year. The Frieze Artist Award also went to Pattison for his proposal to harvest networked data from the surrounding environs of the fair and the Internet of Things, leading to a multi-screen installation within the Fair as part of its non-profit Frieze Projects programme. Pattison was also included in British Art Show 8, the showcase of contemporary art from the UK, whose touring programme continued throughout this year with appearances in Leeds, Edinburgh, Norwich and Southampton. Further afield, Pattison could be found in numerous group shows from Rotterdam to Dusseldorf to Detroit, in addition to his inclusion in the 5th Moscow International Biennale of Young Art.
4. Marguerite Humeau
Born 1986, France
On two of our 2016 Top Ten lists and with a new digital project for our first online issue, Marguerite Humeau is a confirmed POSTmatter favourite. With major solo shows at Palais de Tokyo and Nottingham Contemporary, as well as a series of significant international group shows, such as Manifesta 11 in Zurich, Moscow Biennale of Young Art and SeMA Biennale Mediacity Seoul, Humeau has had quite a year. Whether it’s her mystical reimagining of the origins of language or the story she builds on the true nature of love, she’s an artist who fulfils the human desire to attach a sense of magic to our being. Through speculative narratives of our beginning and grandiose sculptures imbued with scientific experimentation, Humeau’s sci-fi-cum-occult projects provide a sense of belonging to her audience at a time when traditional structures, such as the nation state, cannot. Don’t miss her in early 2017 at C L E A R I N G gallery, New York.
5. Femke Herregraven
Born 1982, lives in Amsterdam
From lectures at Transmediale and the Oslo Triennial to exhibitions across Netherlands, UK and the USA, 2016 has seen Femke Herregraven go further in her mapping of the hidden infrastructures behind global finance, geopolitics and information. Exploring the relationship between technology, nature and society, this designer, artist and researcher conjures and translates the abstract systems of power that govern our world. Her speculative yet didactic sculptures, videos and online games were included in standout group shows such as Carroll/Fletcher’s Neoliberal Lulz back in February, Third Nature at CCS Bard and Grand New at Berlin’s Future Gallery, with whom she was also exhibited at Sunday Art Fair this year. Watch out for the results of her upcoming residency at Rijksakademie voor Beeldende Kunsten in 2017-2018.
6. Marianna Simnett
Born 1986, London
After winning the Jerwood/FVU Award in 2015 for her film The Udder, a magic-realist tale set in a robot dairy farm in rural Sussex, Simnett has been moving from strength to strength. In January this year she presented her first solo show at Seventeen with an intense, immersive film installation Faint with Light, in which the artist recorded herself fainting by forced hyperventilation as LED lights fluctuated in response to the noise produced by the artist’s body. A solo show of her work is also running from now until 22nd January to inaugurate Seventeen Gallery’s new space in New York.
7. Wolfgang Tillmans
Born 1968, Remscheid
Hardly an artist who could be described as anything but firmly established, having won the Turner Prize for his understated and intimate photographs back in 2000, our inclusion of Wolfgang Tillmans on this list comes in light of his role in the Brexit debate that shaped much of 2016. The posters created by Tillmans for the Remain campaign, in which he superimposed slogans over images taken from his own archive, came for many to visually represent the political argument for Britain to stay in the EU. His dual role as artist and activist were brought together explicitly in a solo show at Maureen Paley this summer, in which new photographic works were displayed alongside pro-Remain posters created by Tillmans and many others. Other solo shows could be seen at Museu Serralves in Porto, Sonora128 in Mexico City and Galerie Bucholz in Berlin this year, but it was Tillmans’ passionate response to the political climate of his adopted home that made him truly stand out in 2016.
8. Celia Hempton
Born 1981, Stroud
It would be difficult for Celia Hempton’s close-up crops of genitalia, often sketched from life models met in online chat rooms, to go under the radar for long. With their strong colour palette and distinctive brush strokes, they take an unusually physical and painterly approach to the digital intimacies of the internet. This has been a busy year for Hempton, from her inclusion in Whitechapel Gallery’s ‘Electronic Superhighway’ (one of our Top 10 exhibitions of the year) to her site-specific installation commissioned in the summer by the Institute of Contemporary Arts at 180 The Strand, for which she built a theatre set of sorts. Represented in the UK by Southard Reid, she took over their booth at Frieze with a memorable solo presentation that extended her paintings to the walls themselves, in a series of murals that immersed viewers in her alternate map of the human form.
9. Beatrice Dillon
Born in London
Beginning the year with a performance at Berlin’s CTM Festival and ending it with the limited edition release of Can I Change My Mind? on Boomkat is London-based producer, composer, artist and DJ Beatrice Dillon. In between the year’s bookends Dillon has succeeded in fitting in an artist residency at Wysing Art Centre, a regular slot on NTS and numerous other international festivals and DJ sets. Along the way she performed with the inimitable Tim Hecker at the Barbican in November, acted as a visiting professor at the Slade School of Art, and composed a soundtrack for The Leadmill in Sheffield alongside four other artists, among other collaborations. With a skill for mixing sounds that oft go unheard, experimental noise, dub, field recordings, minimal techno and early jungle, Dillon’s ability to span artforms and genres is making her a highly sought-after collaborator for artists, musicians and producers alike.
10. Cecile B Evans
Born 1983, Ohio
Most recently Cecile B Evans has been exploring how human emotion is valued in contemporary society, especially in light of the ways in which we process and experience emotion have been drastically affected by digital technologies. In 2016 we saw her produce her most comprehensive work to date, What the Heart Wants, an immersive video installation commissioned and co-produced by Berlin Biennale. Following a nomination for the prestigious Film London Jarman Award 2016, Evans is showing brand new work, Sprung a Leak, a play in 3 acts at Tate Liverpool that was borne out of her frustration towards our limited online infrastructures. Visit her website to contribute to an open Google doc in which she facilitates sprawling conversations about this particularly unique moment in time and answers questions about her work, proving to be an artist with her ear to the ground on modern life in the digital age.